Review: Backward and in Heels

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Backward and in Heels

I wanted to kick off my first book review on this website with a non-fiction that I have read recently. Backward and in Heels is an essay written by film critic and journalist Alicia Malone, who went into book worming and film archaeology to dig some of the most influential women who worked in films throughout its short history. All of the women who appear in that book have had so much impact on the film industry, that it’s hard to understand how some of them are almost forgotten now. So that’s the objective of Alicia Malone: to give back the credit to these wonderful people who made history but where left behind.

It’s gonna be short because I actually don’t have much thing to say on the content. It’s a deeply researched document that used multiple sources such as essays, interviews, and of course films to report these stories as best as she could, gathering details of there lives that gives them depth. Bibliographical sources are listed at the end of the book, and somehow, I kinda regret that they’re not directly referenced, in more details, in the text, but I have the sense that the author didn’t want to give a feeling that her essay was too academical, so it wouldn’t scare away people interested in the subject.

Aside from the biographies, it goes into the issue of the representation of women working on films before and now, and how the mainstream industry has an implicit close door policy when it comes to hiring female directors. And despite the current trend in putting high-budget production in the hand of amazing female directors, the ratio is still unbelievably unbalanced toward men (spoiler: it’s been about 12% women for ages). So she interviewed current essayists who launched huge projects to really go to the bottom of this, compiling data over thousands of films, and statistics are astounding, showing that this ratio is not the result of a lack of interest by women in this field, but the consequence of an unfair an blatantly sexist selection along the way that undermines the will and spirit of women to make a career in film. As the saying goes (quoted from the book): “Men are hired on expectations, women are hired on experience”

So, if you’re interested in stories around cinema history, and the role of women in the industry, I can only recommend that book. You won’t be disappointed and you’ll realise how much we lack a women’s presence in this huge industry. But it’s also empowering and showing women that they can make their place in films despite the adversity, and that they have allies already installed who are making their best efforts to have a more balanced workforce.

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